- #When was the island by athol fugard published driver#
- #When was the island by athol fugard published skin#
The best Simon can offer to let Rolf know he cannot change the past therefore, it would make sense if he (Roef), forgave himself and forgot about the dead woman. Ref pushes Simon to allow him to bury the unmanned woman and his child, but Simon refuses to give in to these demands.
#When was the island by athol fugard published skin#
They refer to each other as ‘you people’ even though they know each other’s names.įortunately, they come to realize that, even though they are of different skins, they face the same fate, that is, death and as Simon observes, worms do not differentiate white skin from a black one. Simon and Rolf spend several nights in Simon’s shack where they form a relationship that is founded on suspicion at first. In the next few days, Simon embarks on a plan to convince Rolf to accept that the accident was just that, an accident, forget it and stop self-indictment. Therefore, Roef is here to curse the dead woman for causing him such trauma and untold suffering.Įven though this was just another accident, which Rolf could not control, he feels guilty about it. Unfortunately, Rolf happened to be the one in charge of the train, and as the train crushed the woman and her child, Rolf could feel it in his heart.īefore Simon can digest all this information, Rolf immediately confesses that he is in mental confusion, which could cost him his sanity, job, life, and family. In retrospect, Rolf recalls how a woman carrying her child stepped on the trail as the train was approaching. Roof tells Simon that he is here to find a dead nameless woman together with her baby, whom he (Roef) killed through a train accident.
#When was the island by athol fugard published driver#
Rolf, the train driver and a “traumatized, angry, and unable to get the woman and her baby out of his head” (Spencer Para. Simon, the gravedigger, lives, in a shack at the corner of the cemetery and his work is to appease the spirits of the departed by singing them one soothing song after another. The play opens in a cemetery a special cemetery where unclaimed and nameless corpses are buried.
Touched by this incident, Athol Fugard wrote The Train Driver. According to Gold, “…a black woman, her 2-year-old strapped to her back and her 3-year-old and 5-year-old in her arms, left a South African squatter camp and stepped into the path of a speeding commuter train…” (Para. This truth underscores Athol Fugard’s motives for writing the play, The Train Driver.
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